Accountability and Projects Time

This post is the second in a series about Projects Time. Here’s a link to the first.

Unless people saw it in action, Projects Time could be hard to explain.

Colleagues at my own school understood, pretty much. They had given my students years of similar experience in younger classes, that helped them be ready to make longer-term choices, and choose on the basis of activity more than work-partner. They sent me students proficient in physical problem solvingprojects tsongas canal adjustment cropped, making things work and getting a kick out of the effort. They sent me students with their natural curiosity and creativity still very much intact, full of the energy and momentum for inquiry. (Museum teachers–here at the Tsongas Center in Lowell–always marveled at the hands-on cleverness and persistence of our students.)

My colleagues also sent me students who knew a lot about working with each other. By the time they reached me, most students already knew how to exercise individual creativity in the service of a group effort—contributing ideas, but not needing to have them adopted by the group every time, and increasingly able to listen to each other.

buildersIn Projects Time, kids could show leadership in many ways. For one thing, they could help to support collaborative working skills for their classmates who needed more time to develop that particular skill set. (After all, nobody has an aptitude for everything.) Year after year, I could count on finding at least one child who would be especially helpful to students brand new to the school–who didn’t know everybody yet, of course, and typically had had fewer opportunities to practice both group skills and hands-on problem-solving.

I loved watching what could happen with minimal adult intervention. I could exercise my care mostly in the background, choosing the groups at the beginning of the year with particular mindfulness, providing appropriately-leveled background reading, giving the most inexperienced students the comfort of a group of two.

In these small interventions, I followed the example of the colleagues from whom I had learned how to teach. Projects Time used and stretched skills the teachers of younger classes had been building for years, in both kids and adults. So they understood it—teachers and students both.

projects out mini buildingsTo the left, a group of students have been exploring construction techniques, ways of supporting weight for example, by creating miniature buildings with natural materials from the slope near our deck.

Still, people who didn’t see it in action found Projects Time perplexing. Parents new to the school sometimes expressed bafflement, until they had an opportunity to join us–or until talkative kids came home bubbling over. If new administrators never came to observe, they might be reassured by the testimonials of other staff, or by reading my parent letters–or they might not.

Most challenging of all, though, for me and for them: teachers from other schools might never have observed projects learning, let alone our situation of groups working parallel on different activities. When I talked with them at conferences and workshops–or family reunions, train rides, all those informal workshops teachers create for themselvesthey said, projects giggling group“Wait– if kids are working away from you, in a small group by themselves or with another adult, how can you be sure what they’re learning? If they’re not all following the same activities, how can you control what’s happening? What do you put on tests?”

projects marble chutes editIn the early years, faced with questions like these, I had to work hard not to get defensive. (It didn’t help that I had no idea how to explain serious playfulness. I just knew it felt right, and worked.) Then, as I developed more and more confidence in my students, I struggled to suppress anger at what I saw as lack of respect for kids.

Eventually, though, I felt sympathetic. As years went by, I increasingly wanted to do one of two things.

  • I wanted to wave a magic wand and give these other teachers my opportunities for knowing students well. My class size, for starters—never more than 18, and more typically 15. Also, my self-contained class, together and with me for most of the day, except for specials and in some cases math. We shared a continuity, richness, and intimacy of group experience increasingly uncommon in the school lives of ten-to-twelve-year-olds. I could know both individuals and the chemistry of a groupknow them really well—and that let me sense the ways I could trust them, and then build on that.

  • projects river model0001Sometimes I just wanted to loan out my inquiry-proficient students to these other teachers, as an example. You have to watch kids who are accustomed to belonging to themselves (like Mister Dog in the wonderful Little Golden Book by Margaret Wise Brown) in order to realize what they can do—what challenges you can give them, and what motivation they will bring to open-ended opportunities.

We did have in place a number of routines to keep me informed about how things were going, for groups as a whole, and for individual kids, and for the other adults in the situation.

  • Whenever possible, I built in freedom for myself to move from group to group, for at least some part of every time block, taking both notes and photographs as I went. (Otherwise, would I have this treasured shot of Lucy Candib and her group digging a hole under the deck, in which to bury various materials, which next year’s class would dig up again, in an ongoing year-after-year investigation called What Rots?)

  • projects Lucy burying rotprojects volunteer notesI asked assistants and volunteers to fill out a quick question sheet at the end of each session, to help keep me informed. (They had time to do this while I led the final wrap-up.)

  • projects Fermi question notes editStudents took notes and made sketches during Projects Time, and then wrote more afterward, summarizing what they’d learned, making additional drawings, listing questions. Sometimes I saw this writing over their shoulders, as groups shared at the beginning of the next session. Sometimes I collected students’ writing, to look for growth and for areas of confusion that needed support. When Sally Kent told me about lab notebooks with carbon sheets that could be torn out, we began using those, and kids could keep the original in their notebook for future reference, and give me the copies.

Still, our ways of observing and guiding students were premised on trust, meant to help us support students in their learning, not grade them on it. (Here’s more about that.)

Looking back, in the light of the current obsession with accountability, I realize that skeptical questioners were asking, ‟How do you keep the kids accountable?”

We worry about holding people accountable when we don’t think they’re likely to stick to their side of a bargain, or approach their part of a task conscientiously, or own some effort. We worry about accountability when we think people are likely to cheat—and people cheat when they don’t feel ownership of the results. Many things can lead to that lack of ownership—some of them outside a teacher’s power to intervene. People cheat when they’re depressed, when they’re overtired, when they lack confidence in what they can really do. There’s a lot to understand in that vicious circle, but demands for accountability don’t change it in any useful way. Or that’s how it looks to me.

Recently, I reread an essay in The Atlantic about why it’s so hard for American educators to understand the success of Finnish education. The article, by Anu Partanen, quotes Pasi Sahlberg, speaking to an audience at Teacher’s College in New York City in 2011. ‟Accountability,” he said, ‟is something that is left when responsibility has been subtracted.” 

I keep mulling that over. I still have questions about Projects Time, and plenty of ideas for changes I’ll make and new things I’ll try if time travel ever becomes available. Still, Sahlberg’s statement helps me understand why Projects Time worked so well almost all the time; why my structures and routines for staying informed were secondary, in fact, to the most important part of the dynamic.

In Projects Time, students were genuinely responsible to each other. They were mutually responsible for the thoroughness and spirit, the seriousness playfulness, of their own groups’ inquiries, obviously. Beyond that, because they so often carried out different inquiries, in parallel, they were learning on each others’ behalf. They put creative thought and boundless energy into the ways theyprojects transportation wheelcha would demonstrate their methods and summarize their outcomes. For example, often they set up stations for other students to try out. To the right, a skit created by a group who’d been researching transportation access issues for people with physical disabilities.

And then there were the puppet shows about water power, or future careers in transportation planning, or… 

transportation puppet shows

So there it is: Irony Alert. The same five-ring circus, the same level of complication that stretched the adults’ ability to be everywhere at once, meant that we didn’t have to.

We didn’t have to hold them all accountable, minute to minute. We held them responsible, instead, and they rose to that, for themselves and for each other.

And, as Robert Frost would say, ‟that has made all the difference.”

For this post, I’ve scanned in some older photographs I found when I went hunting for artifacts from the early years of Projects Time. These kids are now very grown-up grown-ups–finishing med school, having babies, beginning careers in agricultural engineering, as many stories as people. I look at the photographs and grin, and feel–for the millionth time–how incredibly lucky I was to know them when they were prototypes of the energetic, engaged adults they’ve become. So, all of you, thank you again.

projects at the beach

Projects Time

As an incubator for serious playfulness, nothing worked better than Projects Time.

vortex gazersTeaching “big kids”–young adolescents waking up to the world in new ways–I wanted to give them the choices, hands-on experiences, and purposeful collaboration in small groups that would keep them engaged and alert and cooking. Projects Time evolved as a way to frame all that.

It also grew out of adult behavior that can’t ever be taken for granted:

  • Adults made choices about the guidance they offered based on what worked for each particular group of kids, in their individual and group uniqueness–by listening carefully, with a sense of learning targets in our minds, but with the reality of the present always uppermost.
  • projects compost dirt grandmotherAdults dove into hands-on, messy, authentic experience (almost always potentially risky to our dignity.)
  • Adults worked together, as teachers and assistants and committed volunteers, and got a visible kick out of our own collaboration.

Put all together, Projects Time was a bit of a miracle–a twice-weekly, home-grown miracle.

graphing voicesAs we got better and better at running this, we could see the effectiveness of having different small groups working simultaneously on different projects, and then sharing with each other. For example, in the photograph above, a group who’d been investigating sound set up instructions for other students in an end-of-sequence “energy fair”, and two students are trying out the set-up.

Below, in a sharing session at the end of one day’s Projects Time, a group uses their own bodies to demonstrate the arrangement of the states in New England.

bodies as New England states editA little more about logistics

Students and adults came together for Projects Time in two fairly long time blocks—a total of almost three hours every week. Tamara, the teacher who moonlighted as the school’s scheduling wizard, knew that I would accept any other strangeness in my class schedule, in order to preserve those long Tuesday and Thursday afternoon time blocks.

A series of inspired part-time assistants joined us for Projects Time, even when we had no other aide time assigned for the class.  Each year’s volunteer parent coordinator helped me recruit and schedule parents, often well in advance.

Within the nourishing nest of those pre-arranged rich conditions, the students and I could choose our challenges. To begin each sequence, we brainstormed a list of ideas for projects which would make use of various materials and opportunities in and outside of the classroom–and would meet various learning goals.

Some activities, typically, related to our current whole class theme. In the fall and spring, we planned for as many activities as possible to happen outdoors. (For example, in the photograph below, a group discusses a redesign of a water feature in the garden below our deck, taking into account the way water travels downhill.)

projects side gardenA particular week’s list often repeated some of the topics or activities from the previous sequence, because kids wanted to try things they’d seen other students do. “That thing building electric circuits looked like fun–can that be on the list again?”

After we had settled on a menu of possible projects for the next round, each student wrote three or four choices on a sticky note, ranked them, and gave the note to me. (Thinking all this over, it always seems important to me that students were choosing activities, not work partners.) Choosing is hard for some kids, and I let them write down “anything” if they really meant it, but encouraged them to think it through, and predict how different activities would work for them.

Later, I arranged and rearranged the sticky notes to form groups. Usually I started by seeing what would happen if I gave all the students their first choices–and sometimes the groups made themselves immediately, just as easy as that. More often, I needed to give some students their second choices, in order to provide for variety in work-partners and types of activity, both of which felt important to all of us, kids included.

Students’ choices committed them to at least the two blocks of a single week, and sometimes a third block, or even a fourth, in response to popular demand. Longer sequences allowed more time for exploration and follow-through, and students found that rewarding.

projects temperature investigations grinWith very few exceptions, everyone who took part in Projects Time for any length of time felt that it worked, in a unique and exhilarating way.

river group recording some editsStudents experimented and observed and simulated and dramatized, and also had a great time. They took concepts they’d learned from reading and applied them. In the follow-up writing, they speculated about what had happened and why, and what else they might want to try.

There were social benefits, also. Working together in small groups, students got to know each other better. They became deeply involved in inspired arguments. For example, in the photograph below, students conducting a simulation of the effects of transportation argue about a proposed trade.

transportation argument editI’m going to use the next few posts to explore some particularly memorable Projects Time sequences, including the activities Kate Keller designed for our Transportation Choices unit, and some work on A Field Guide to Touchstone.

I also want to share some questions I’m still mulling over. One involves the perennial conflict between coverage of material and effectiveness of student learning experience. Obviously, the Projects Time model isn’t necessarily the best model for covering every detail of content on a long list of state or federal or Common Core standards.

Another persistent and possibly related question involves accountability, a big buzzword in American educational policy right now. Again, it’s obvious that Projects Time wasn’t designed to maximize accountability.

I’ll come back to all that. For now, having given you some snapshots of individual projects, I want to take you on a fantasy helicopter ride, to get a sense of how everything was happening at once.

From our point of view, hovering above the school grounds, we can see a group with a dissecting microscope, at a picnic table behind the main building. (Hooray for extension cords.) The students not currently using the microscope are looking for things in a nearby garden, including creepy crawlers from the compost, to examine when they get a turn. One student sits at the picnic table making a detailed sketch of a flower she found, using a jeweler’s loupe to get a good view of the structure.

Out in front of the school, some kids are measuring the temperatures on top of stones in the wall along the road, comparing with the temperatures they found in the wall spaces underneath those same stones, thinking about the idea of very micro microclimates.

Seth and Ben marble chutes editAnother group, working under the portico to take advantage of a long bench, uses a stopwatch to time their latest marble chute run. They’re trying to maximize the length of the run by maximizing friction, without letting the marble come to a full stop.

Meanwhile, another group is up on the deck outside our classroom, working on a puppet show about water power, in which a dragonfly puppet has become an authority on the differences between overshot and undershot water wheels, and models have been made to demonstrate them.

Somewhere down there, a lucky teacher moves from group to group, carrying her clipboard, with its note-taking sheets about individual students, and its list of stuff to track down for next time. She also carries the camera she wishes she’d used even more.

Although, really, what it needed was video, to capture kids saying, “What if…?” and “Let’s try it again…” and “That is wicked cool…”

Overviews: The World In a Grain of Sand

Think, for a minute, about ways of getting or creating an overview of a bunch of experience or information.

sketching time sample map cropped to squareMaps can do that–geographical maps, but also the very local maps-of things-to-be-built-in-the-future called blueprints, or the webs that some writers like to call concept maps.

Planning curriculum, mulling a big unwieldy thing, I found that it helped me to use charts made on pages with boxes. overviews first weeks edit“Those box things” students called them–and blank versions freely available worked really well as a note-taking strategy for kids who needed to see an overall structure as they took their notes, rather than waiting for that to emerge.

overviews sample outline editI sweated and swore over the classic outline, whenever I had to produce one as a student, especially in the days before computer word processing’s friendliness to second thoughts. Still, the classic outline, with its indented Roman numerals and subcategories, works well as an overview for some minds. (To the left, the sample in the report-writing guidebook for the Voyage of the Mimi animal behavior reports.) I never required a full formal outline, but some students found them helpful and made them voluntarily.

Linnaeus’s biological classification scheme–groups nested inside groups, as in the classic outline–provided an overview of all life that helped biologists begin to grasp the whole of it. Library classification schemes like the Dewey Decimal System reach out to hold a giant organization of the universe, living and non-living: turtles / planets / novels / kinds of dump trucks / religions.

Overviews can constrain or even warp how we see what’s inside them, but they can also help us consider more than we could possibly consider without them.

Now think of synecdoche, the Greek word used to refer to one of the literary devices we use frequently in everyday conversation. An example: Let me give you a hand with that. We never mean, when we say this, just the hand. The hand in that expression stands for so much, including the ways we can stand beside someone, and reach into his or her project, helpfully.

In synecdoche, a part stands for the whole. It’s the story told at a memorial service, or the story told in a progress report, that captures a person’s character better than any list of characteristics abstracted. It’s the photograph that can take the place of a thousand words, or images and poems that hold emblematic moments.

tracing watershed pathway croppedRecently Terry Lunt teased me about how many times I’ve used a particular photograph, of some kids working together with her at projects time. “Well,” I said, “it’s a great photograph!” What do I mean? I meant that much of what I want to celebrate–and propagate–shines in that photo. (Not naming those things; just giving you the photograph again.)

Here’s William Blake, on what the human imagination can do with tiny details, giving them the meaning of the whole:

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.

Like Blake, like so many others of my species, I want to hold the world in “a grain of sand.” Still, I also want the classification scheme, the map that can convey directions to some specific neighborhood within a big picture.

When I first began writing this blog, I gave myself huge freedom, both challenging and delicious. I knew I wanted stories, not abstractions; the power of experience, not the power of arguments. I rarely planned ahead what I would write next. I let things sneak up on me, and addressed them helter-skelter, in no rational order, inspired by students’ work as I uncovered it in my sorting, or by the comments of past students, or by curriculum materials. Although I sometimes made rough outlines for individual posts, I absolutely did not have or follow any outline for the blog as a whole.

But then, a month or so ago, I realized that I had come to a lucky difficulty: I had written so much that I couldn’t remember all of what I had written about, or figure out easily what was still waiting for me. I couldn’t see the whole of my year to think it over, in either way, either overview or emblematic glimpse.

sal blue heronA side detour back to the Linnaean classification scheme, the one with families and classes and orders, groups nesting inside groups. It’s still useful much of the time. But sidle up to Steve Gatesy, Touchstone parent and paleontologist, and say, “I just found out that birds are actually reptiles!” and he will answer, “Well, actually those categories aren’t considered very useful any more.” Grin bravely as swaths of patiently constructed curriculum wash into the gutter. (At the left, an amazing photograph my sister took of a blue heron. In certain views, a heron really does look like a snake gifted with flight.)

In any case, my reading supports Steve: most biologists now prefer to think about clades, groups of related species each consisting of an ancestor and all its descendants, a single “branch” on the “tree of life”. (The Wikipedia entry is helpful.) The category of reptiles is not a clade.

I wasn’t thinking about biological classification, but somehow I decided to assemble groups of posts that had something like a common ancestor. Now, over the past few weeks, I’ve created five overview pages to hold together those clumps.

page names under the butterflyIn the world of my WordPress template, the names of pages, acting as links, always show, in a row up toward the top of the blog–in my case, just underneath the butterfly. This stands in contrast to posts, which push each other down a long scroll, so that only one shows on the screen at any given time. (You’ll only see the pages listed below the butterfly if you read the blog on the website, however. They don’t show if you’re reading a post in an email.)

In order to think over what I’d thought over (!) I took the huge unwieldy blob of everything I’d written so far, and I read and reread, and watched myself return again and again to certain themes,

Then I tried to figure out something short and snappy to call each of those recurrent themes. That was its own kind of torture, necessary if all of them were going to fit across the page menu. Like any eleven-year-old, beginning to watch myself learn, I observed the way arbitrary structure had imposed a useful, meaningful limit.

On each of the overviews, I wrote a summary or teaser or even slightly philosophical introduction, and I constructed links to the posts that seemed to me to clump together under a particular theme. I had fun choosing photographs or illustrations–emblematic glimpses for each post.

So now, here are the names and sequence of the five clumps so far:

Even if you’re reading this in an email, it should work to click on the link I’ve just constructed for each clump’s short and snappy formulation. (Short and snappy for me, at least.)

I hope all this will prove useful. Already, for what my high school guy friends called “me, myself, and I,” this process has helped me notice gaps I want to fill.

It has also helped me re-envision my purposes. I do want to be useful to others, to keep serving the educational vision that has motivated me for more than a quarter of a century. So I’m glad to see, from my backstage statistics, that some readers have already used the overview pages to explore the strands / clumps / clades of the life depicted here.

green turtlesFor the time being, though, I’ve had enough of metablogistry. I’m ready to write about turtles, I think.

Or maybe dump trucks.